" Factory Presets" For Vocals, Drums, Keys, and More." Preset Browser system" ( Shareable Patches )." NY Compressor" With an addictively punchy flavor." Master Tone" Dark to bright Tone Control.
" HQ Mode" Oversample The Engine Up To 4X. " LFO Matrix For Reverb & Delay" Sidechain Your Returned Reverb & Delay Signal, Make That Pumping Feedback With Ease!. (can be used for Video Audio Post Productions as well as Music Productions & Mixing Purposes ) " Envolution" Realistic emulation of different types of speakers with their acoustics and environments. " Dynamic Eq" De-ess Your Vocals, Remove Bominess Or Harshness Of Your Frequencies, With In-Built One Band Dynamic Eq Compressor. " II Band" A Very Transparent EQ, With High - Low, Freq, Gain, Q, And Curve Controls, + Real-Time Audio Visualizer. " Motion" Widener / Synced Side Chainer With Table Control And Synced Panner With Mix Control + Real-Time Goniometer Visualizer. " Drop-Out" A Random Audio-Muter With Mix / Sync & Freq Controls. Mimic the sonic effect of VHS reel-to-reel tape With VHS Button. " Time Machine" Modeled Eq Settings From Past to Present. 
" Reducer/ Bit Crusher" Lo-Fi Sample Rate Reducer & Bit-Crusher. " Damage" 4 Types Of Special Warm & Gritty Algorithmic Distortions, And 1 Waveshaper With Table Control. " Echo" Tempo Synced Delay With Feedback Knob & / Color Knob to Control The Darkness or Brightness Of returned Audio Signals + Chorus Effect. And " Of Course, You Can Import Your Own Ir Samples Into The Module As Simple As Drag & Drop" Reversed Ghost Reverbs, Unusual Rooms, And Many More. " Convolution Reverb"Ultra-Fast Module With 30 High-Quality Ir Impulses, From Big Chambers To Vocal Plates. 
" III Verb" 3 Type Of Amazing / Lush And Digitized Reverbs, With Freeze Mode ( “Freeze” button creates infinitely-continuous sustain reverb effect ) Mono / Stereo Controls, And HP & LP Knobs. " Texture" 9 Unique & Professionally Recorded Noises / Textures, "Easily Drag & Drop Your Noise Samples into The Texture Module" + Duck / HP & LP Controls. 
Load up Serum and we think you’ll be able to notice both what you hear (solid high frequencies, extending flat all the way up to the limits of hearing) as well as what you don’t hear (no unwanted mud or aliasing gibberish- just good, clean sound). In Serum, the native-mode (default) playback of oscillators operates with an ultra high-precision resampling, yielding an astonishingly inaudible signal-to-noise (for instance, -150 dB on a sawtooth played at 1 Khz at 44100)! This requires a lot of calculations, so Serum’s oscillator playback has been aggressively optimized using SSE2 instructions to allow for this high-quality playback without taxing your CPU any more than the typical (decent quality) soft synth already does. Many popular wavetable synthesizers are astonishingly bad at suppressing artifacts - even on a high-quality setting some create artifacts as high as -36 dB to -60 dB (level difference between fundamental on artifacts) which is well audible, and furthermore often dampening the highest wanted audible frequencies in the process, to try and suppress this unwanted sound. Artifacts mean that you are (perhaps unknowingly) crowding your mix with unwanted tones / frequencies. Without considerable care and a whole lot of number crunching, this process will create audible artifacts. Playback of wavetables requires digital resampling to play different frequencies.
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